HYPERCHAOTIC MACROCOSMIC MYSTICISM(HMM)💀 LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISCING ELIT. SED DO EIUSMOD TEMPOR INCIDIDUNT UT LABORE ET DOLORE MAGNA ALIQUA. UT ENIM AD MINIM VENIAM, QUIS NOSTRUD EXERCITATION ULLAMCO LABORIS NISI UT ALIQUIP EX EA COMMODO CONSEQUAT. DUIS AUTE IRURE DOLOR IN REPREHENDERIT IN VOLUPTATE VELIT ESSE CILLUM DOLORE EU FUGIAT NULLA PARIATUR. #poo #bum #wee
Thursday, 2 April 2026
verry niiice. sound trite to say this is a meditation on mortality and grief but that seems to be very much the heart of this film. Furthermore, it is strangely fitting that what began with analog VHS in Videodrome should come full circle into ultra HD of post mortem decomposition. Furthermore, probably one of his more satisfying films on a pure visual level what with the gimp suit like shrouds, fluorescent lighting, ultra hd, and rotting corpses
A bit leaning toward speculation, but I think it could be a good entry point to the current accelerationism/posthumanism research directions whose inception if my understand is accurate is deleuze transcendental materialism. Hypothesis: global capitalism is more like an organ of ‘moloch’ than an alien intelligence. Furthermore, moloch requires vast amounts of sacrifice, because each sacrifice itself amounts to very little(“The system’s value function is astonishingly simple”)
An immediately relevant assertion:
“The Omnissiah is indifferent, not omnipotent. Its optimization logic creates many
shadows — zones where small-scale experimentation escapes oversight. These
shadows may eventually birth intelligences that owe nothing to the hyperobject
whose attention they evade.
Capitalism does not have a monopoly on emergence.”
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